Woodward Residence
A modernist glass box designed by Roy O. Allen in 1957, reworked by SQBW in 2015. A surgical strike intervention: the open fireplace, all new finishes, lighting, and millwork, locating and configuring the pool.
photo: François Dischinger
Establish an appreciation for where materials come from and how things are built.
The idea is to make choices tangible, transparent, and human. Sebastian’s designs are relatable and understandable; they seek to answer the questions of how something came to be and who made it. As Sebastian works, he incorporates a knowledge of local culture, building materials, and construction techniques, as well as the human experiences of using the materials and making something out of them. Sebastian partners with skilled tradespeople and treats them ethically and compassionately. Material choices may demonstrate their use and process. For example, materials that are enriched by time and their own aging process.
“But after Dunning noted that it would obscure sight lines to the outdoors, Quinn came up with the solution of putting an open fireplace between the living and dining areas, effectively creating a semiseparate dining space. “That was a game changer,” says Fred, who spends lots of time on the living room’s L -shaped sofa, which faces the hearth but also takes in captivating views of the grounds. “Can’t you see I’ve already worn a groove in the cushions?” he jokes.”
— Michael Hainey, Architectural Digest
